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Jimmy Raskin
White and Red Colorcut, 2013, Latex paint on MDF, 120 x 60 inches
Blue Colorcut, 2013, Latex paint on MDF, Diameter: 60 inches
Green Colorcut, 2013, Latex paint on MDF, Diameter: 60 inches
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Posters in the city : Fanette Mellier for Un Imprimeur- Lézard Graphique.
(via andren)
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Easy experiment: Drink orange juice. Brush your teeth. Drink orange juice again.
From Bytesize Science, an explanation as to why most toothpastes change the taste of orange juice. The video includes an intro on the five basic tastes that we’re able to detect: sweetness, sourness, saltiness, bitterness, and umami — a Japanese word that we’ve borrowed to describe a “pleasant savory taste” or “a pleasant, brothy or meaty flavor” — and the ingredients of toothpaste.
More videos about the body and how things work.
(via bestiario)
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Richard Serra
Pacific Judson Murphy, 1978
Paintstick on Belgian linen
Two parts: 285 x 442 cm and 285 x 272 cm(Fonte: heathwest, via mellabrown)
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Bill Bollinger
Graphite Piece, 1969 (2011)
(Fonte: nicoonmars, via mellabrown)
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Jenny Holzer THE SURVIVAL SERIES: REMEMBER TO REACT 1984
This is really applicable because I’ve been thinking (quietly panicking) about this a lot.
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Joan Snyder, To Transcend the Moon, 1985
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ITS TRUE
(photo by bushwickben)
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The artist Julia Scher is known for her work with surveillance technologies. In 1993, Scher’s video installation Mothers Under Surveillance was included in the exhibition “The Final Frontier” at the New Museum. A simultaneous broadcast of the gallery space is mixed with prerecorded footage of elderly women being tracked while they attend “adult day care.” By including a date and time stamp, which functions as a sign for the “reality” of these images, the two streams of images merge into a single surveilled world. Scher creates an endless loop of people watching people while being watched themselves, with the aim of making visible the invisible systems of power and control enabled by electronic technology. Mothers Under Surveillance is on view in “NYC 1993: Experimental Jet Set, Trash and No Star” through May 26.
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(Fonte: man-with-a-moving-camera)
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Mayakovsky would often sketch little puppydog drawings within his letters to lover Lily Brik.
(via bestiario)
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A McClassic piece of street art, possibly not by Invader!
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